Would Be Kings is a 2008 Canadian crime drama miniseries directed by David Wellington, starring Ben Bass and Currie Graham. Gritty, emotionally charged, and morally complex, the series tells the story of two men bound by family but divided by their choices — a dark and human exploration of loyalty, ambition, and the slow corrosion of the soul.

The story centers on Patrick Lehane (Currie Graham) and Jamie Collins (Ben Bass), cousins and fellow police officers working in a major metropolitan force. Patrick is a respected detective — confident, charming, and seemingly in control — but beneath his professional image lies deep corruption. He’s involved in organized crime, drug trafficking, and backroom deals that compromise both his ethics and his humanity. Jamie, on the other hand, is younger, impulsive, and struggling to live up to Patrick’s shadow. When he gets transferred to Patrick’s unit, their bond begins to fracture as the darker realities of the job — and of Patrick’s choices — are exposed.

At its heart, Would Be Kings is a character-driven morality tale disguised as a cop thriller. It examines how power and temptation test even the closest relationships, and how good intentions can easily erode in the face of greed and fear. As Patrick’s criminal dealings spiral out of control, Jamie is forced to choose between loyalty to his family and loyalty to the badge. The tension builds not through action alone, but through emotional realism — the growing awareness that both men are trapped by the systems and expectations around them.

The series explores the dual nature of masculinity and authority: how the desire to control, to protect, and to dominate can coexist within the same person. Both Patrick and Jamie seek validation — one through power, the other through integrity — yet each finds his path shaped by betrayal and guilt. Their journey reflects the thin line between law and crime, family and duty, love and manipulation.

Cinematically, Would Be Kings embraces a gritty realism. The streets are cold, the lighting subdued, the mood tense. The direction favors intimacy over spectacle, focusing on the human cost of corruption rather than the glamour of crime. Every frame carries a sense of moral unease — a feeling that something good is slowly dying within these men.

The performances elevate the material. Currie Graham’s Patrick is charismatic but haunted — a man aware of his downfall even as he accelerates toward it. Ben Bass gives Jamie vulnerability and rage in equal measure, embodying the painful awakening of someone discovering that heroism and hypocrisy often share the same face.

Thematically, the series echoes Shakespearean tragedy — ambition, pride, and betrayal drive the characters to their inevitable undoing. The title itself, Would Be Kings, suggests men who strive for greatness but are undone by their flaws, reaching for crowns they can never rightfully wear.

By its conclusion, the miniseries delivers not a story of redemption but of reckoning. The choices made by Patrick and Jamie leave scars that extend beyond their lives, forcing viewers to question what integrity means in a world built on compromise.

In essence, Would Be Kings (2008) is a sharp, brooding exploration of power and downfall. It transforms the familiar cop-drama formula into something intimate and tragic — a story about men who wanted to rule their world, only to discover they could not even master themselves.